Pamela Alexander, “Letter Home”

Maya Angelou, “Late October”

Christian Barter, “Poem for the End of the World”

Christian Barter, “The School Bus”

Christian Barter, “Something Else”

Christian Barter, “There Are No Stars Tonight but Those of Memory”

Molly Bashaw, “Josephine”

Bruce Beasley, “Novice”

Bruce Beasley, “Witness”

Robert Bly, ”Driving to Town Late to Mail a Letter”

Robert Bly, ”Evolution from the Fish”

Robert Bly, ”People Like Us”

Robert Bly, ”Solitude Late at Night in the Woods”

Robert Bly, ”Summer”

Robert Bly, ”Sunset at a Lake”

Robert Bly, ”Three Kinds of Pleasures”

Robert Bly, ”Where We Must Look for Help”

Marianne Boruch, “Hospital”

David Bottoms, “My Father’s Garbage Can”

David Bottoms, “My Old Man Loves My Truck”

Denver Butson, “Tuesday 9:00 AM”

Hayden Carruth, “Endnote”

Anne Carson, “Father’s Old Blue Cardigan”

Raymond Carver, “The Current”

Billy Collins, “Man in Space”

Billy Collins, “Splitting Wood”

Billy Collins, “The Stare”

Barbara Crooker, “Autism Poem: The Grid

Christina Davis, “The Primer”

Julie Danho, “?”

Mahmoud Darwish, “If I were another”

Ólena Kalytiak Davis, “It Was a Coffin That Sang”

Todd Davis, “Sleep”

Marco Denevi, “The God of All Flies”

Toi Derricotte, “Not Forgotten”

Stephen Dobyns, “Footstep”

Stephen Dobyns, “Fragments”

Stephen Dobyns, “Like a Revolving Door”

Mark Doty, “Gardenias”

Mark Doty, “The Pink Palace”

Stephen Dunn, “A Primer for Swimming at Black Point”

Stephen Dunn, “Before the Sky Darkens”

Stephen Dunn, “Beneath the Sidewalk”

Stephen Dunn, “How to Be Happy: Another Memo to Myself”

Stephen Dunn, “I Come Home Wanting to Touch Everyone”

Stephen Dunn, “John and Mary”

Stephen Dunn, “Letter About Myself to You”

Stephen Dunn, “One Moment and the Next in the Pine Barrens”

Stephen Dunn, “The Arm”

Stephen Dunn, “The Death of God”

Stephen Dunn, “The Hours”

Stephen Dunn, “The Past”

Stephen Dunn, “The Room”

Stephen Dunn, “Turning to the Page”

Claudia Emerson, “Aftermath”

Claudia Emerson, “My Grandmother’s Plot in the Family Cemetery”

Martín Espada, “The Soldiers in the Garden”

Roger Fanning, “Flirt”

Ruth Webber Evans, “When People Ask about Wildlife on Our Property”

Jeff Friedman, “On the Banks of the Mascoma”

Graham Foust, “Barest Gist”

Ross Gay, “Thank You”

Tony Gloeggler, “1969”

Lousie Glück, “12.6.71”

Lousie Glück, “All Hallows”

Lousie Glück, “Love Poem”

Lousie Glück, “Midnight”

Lousie Glück, “The Evening Star”

Paul Goodman, “Birthday Cake”

Paul Guest, “Airport Letter”

Donald Hall, “Barber”

Donald Hall, “Hiding”

Donald Hall, “The Poem”

Donald Hall, “White Apples”

John Haines, “If the Owl Calls Again”

John Haines, “On the Divide”

John Haines, “Snowy Night”

John Haines, “The Long Rain”

John Haines, “The Tree”

Robert Hass, “A Story About the Body”

Robert Hass, “Interrupted Meditation”

Robert Hass, “Meditations at Lagunitas”

Robert Hass, “Spring Drawing”

Kaylin Haught, “God Says Yes to Me”

Red Hawk, “The Hallelujah Chorus”

Terrance Hayes, “The Muppets”

Terrance Hayes, “The Things-No-One-Knows Blues”

William Heyen, “This Blossom”

William Heyen, “This River”

William Heyen, “The Spruce in Winter”

Edward Hirsch, “A Confession”

Jane Hirshfield, “Abundant Heart”

Jane Hirshfield, “Burlap Sack”

Jane Hirshfield, “Salt Heart”

Jane Hirshfield, “Sentence”

Jane Hirshfield, “The Heat of Autumn”

Jane Hirshfield, “The Kingdom”

Jane Hirshfield, “The Weighing”

Tony Hoagland, “Beauty”

Tony Hoagland, “Candlelight”

Tony Hoagland, “Cement Truck”

Tony Hoagland, “Fred Had Watched a Lot of Kung Fu Episodes”

Tony Hoagland, “Hard Rain”

Tony Hoagland, “Hate Hotel”

Tony Hoagland, “I Have News For You”

Tony Hoagland, “Jet”

Tony Hoagland, “Lucky”

Tony Hoagland, “My Country”

Tony Hoagland, “Perpetual Motion”

Tony Hoagland, “Phone Call”

Tony Hoagland, “Romantic Moment”

Tony Hoagland, “Sweet Ruin”

Tony Hoagland, “Travellers”

Marie Howe, “How Many Times”

Marie Howe, “Prayer”

Hannah Irvin, “For My Father”

Rodney Jack, “I dream a law”

Roy Jacobstein, “At Her Dull, Repetitive Day Job She Thinks of Wallace Stevens”

Roy Jacobstein, “Mitosis”

Juan Ramón Jiménez, “I Am Not I”

Juan Ramón Jiménez, “Oceans”

Charles H. Johnson, “Home”

Richard Jones, “Infinity and God”

Richard Jones, “The Spoon”

Laura Kasischke, “A Long Commute”

Terry Kennedy, “Suburban Pastoral”

Adele Kenny, “Whatever Might Pass for a Dream”

Galway Kinnell, “After Making Love We Hear Footsteps

Galway Kinnell, “Another Night in the Ruins

Galway Kinnell, “Blackberry Eating”

Galway Kinnell, “Daybreak”

Galway Kinnell, “The Apple Tree”

Galway Kinnell, “The Fly”

Michael Koch, “after the election”

Ron Koertge, “Baby, It’s You”

Ron Koertge, “Flirting with Poetry”

Ron Koertge, “Geography of the Forehead”

Ron Koertge, “I Meet My Father on the Stairs”

Ron Koertge, “I Went to the Movies Just Once Hoping the Monster Got the Girl”

Ron Koertge, “Making Love to Roget’s Wife”

Ron Koertge, “Molly is Asked”

Ron Koertge, “On My Honor”

Ron Koertge, “Q and A”

Ron Koertge, “Signs & Miracles”

Ron Koertge, “The History of Poetry”

Ron Koertge, “The Kids-Only Motel”

Ron Koertge, “Truth & Beauty”

Ron Koertge, “What She Wanted”

Ted Kooser, “A Winter Morning”

Ted Kooser, “After Years”

Ted Kooser, “Highway 30”

Ted Kooser, “Pocket Poem”

Ted Kooser, “Starlight”

Yusef Komunyakaa, “Facing it”

Ted Kooser, “Starlight”

Christina LaPrease, “Low Country”

Kurtis Lamkin, “The Kwelia Birds”

Dorianne Laux, “Cello”

Dorianne Laux, “Fast Gas”

Dorianne Laux, “Girl in the Doorway”

Dorianne Laux, “Morning Song”

Dorianne Laux, “The Life of Trees”

Dorianne Laux, “The Tooth Fairy”

 

 

English 1 & 2  ♦ West Morris Central

Mr. David Crews

Contemporary Poetry

“At times, [Bly] is Thoreau in Minnesota, scrupulously observing the natural world, preserving the wilderness that is both within and without, unleashing his wrath against imperial power.”

—Edward Hirsch

“For twenty years Stephen Dobyns has been a prominent voice in American poetry. . .His manner is tart, often sardonic, his imagination wildly original, his language tough, quirky, funny, yet at heart the poems are profoundly humane, poetic in the grand tradition..”

—Hayden Carruth

“The Art lies in hiding the art, Horace tells us, and Stephen Dunn has proven himself a master of concealment.  His honesty would not be so forceful were it not for his discrete formality; his poems would not be so strikingly naked were they not so carefully dressed..”

—Billy Collins

“Hoagland’s unerring poems—scathing, rueful, tender, always disarming—move like arrows through a  target—the poet and the rest of us in the target zone.  And it’s exhilarating to be caught out in such a brilliant shower of metaphors.”

—Eleanor Wilner

“Ron Koertge is not only the wisest, most entertaining wiseguy in American poetry.  He is also a conjurer, a designer of verbal holograms.  Step inside any of these poems and you enter the precinct of a uniquely playful imagination..”

                 —Billy Collins

“Lux may be one of the poets on whom the future depends.  He has the stuff to win readres back from their unhappy places of exile..”

                 —Sven Birkets

“Merwin has always been a contemplative poet, drawn to the lessons of the natural world and the rigors of unmediated vision.  He has also been a romantic poet, heroic in his quest for the depths and intensities, the powers and possibilities of the consciousness.  Best of all, he has been a surprising poet, continually slipping the bonds of anyone’s easy admiration.”

                 —J. D. McClatchy

“Orr has chosen as his poetic ground the in-betweenness of things, that now closed and open ground between our surfaces (and depths) and those of others. . . The overlapping of images suggests a sense of ‘presences’ within and without. . . Orr enjoys the picture-making of the imagination and its autonomy, self-evidential even when appearing tamed.”

                 —John Robert Leo

“In poem after poem, Diane Lockward brings to bear great shrewdness and great feeling.  Always refusing the easy exit, she takes the full, surprising measure of every situation.  Her work, even as it tackles the impure world of human conduct, is a pure delight.  She reveals in the powers of language.”

                 —Baron Wormser

“It takes genius to transcend the boring factionalism of U.S. poetry and that’s what Jeffrey McDaniel’s got: his affiliation is to the imagination. Fresh, provocataive, non-doctrinaire, his poems are the kind I want to grow up to write.”

                 —Bill Knott